The Seminary Explores

Gretchen Natter is the Executive Director of the Center for Public Service and Assistant Dean of College Life, Gettysburg College; and Communications Liaison, Project Gettysburg-Leon. In this podcast she describes the current political crisis in Nicaragua brought about by protests against President Daniel Ortega, the long-time leader of the Sandinista Movement that overthrew the Somoza dictatorship but is now using similar tactics to suppress opposition. The situation has directly affected the work of groups that encourage cultural interchange and assistance such as Project Gettysburg-Leon and others around the country.

You’ll see and think about landscapes differently after hearing about the work of Dawn Waters Baker. The Dallas, Texas-based painter brings her rich perspectives and large-scale attention to spaces on and above the battlefield as an Artist-in-Residence at the Gettysburg National Military Park. She has shown extensively and her paintings are in a number of collections. “Stunning, atmospheric and spiritual” are the impressions Katy Giebenhain came away with after her Seminary Explores conversation with the artist. The culmination of paintings Waters Baker is beginning here during her residency will be exhibited in the show “Civil: Works Inspired by the Civil War” at Mary Tomas Gallery, March 2019 (Reception TBA) in Dallas.

Thanks to our host site for this interview, Waldo’s and Co. on the square in Gettysburg

The Artist-in-Residence program is made possible by the Gettysburg Foundation and The National Park Arts Foundation, with support from the National Park Service.

Gettysburg National Military Park artist-in-residence Rick Stark reflects on who we choose to memorialize, contemporary and Civil War poetry, moral injury, nature and what it is like to be a military veteran living on the Battlefield for four weeks which include the famous first week of July.

Rick Stark and Chris Lauer examine hand made paper for Rick's poetry.

In this episode Dr. Scott Hancock discusses the work of the historian. In particular he talks about his research interest in the African American experience and the Underground Railroad. While it is part of the 19th century, the underground railroad continues in our times with people crossing borders, human trafficking, etc. In addition, he discussed the state monuments on the battlefield and what they are teaching and saying to onlookers.

Justine Odila talks about his journey from the Democratic Republic of the Congo to the United States. While in the Congo, he worked to help child soldiers to return to school, their families and mental stability as well as helping other young children to not become soldiers in the first place. This work resulted in him being arrested but he escaped to Zambia where he lived in a refugee camp for 17 years where he carried assisting those around him. After a 5-year vetting process, he was finally able to come to the United States via a resettlement program. He presently works at Walmart, works part-time as a mental health counselor, and attends classes at the community college.

To learn more about the Democratic Republic of the Congo you can begin here:

https://www.cia.gov/library/publications/the-world-factbook/geos/cg.html

https://www.hrw.org/africa/democratic-republic-congo

https://en.wikipedia.org/wiki/Democratic_Republic_of_the_Congo

Chip Beck is not only a veteran and an artist, he is also a combat artist with global experience who has rendered these experiences first-hand. His academic training is in political science, but he has been capturing what he sees on paper and other surfaces since he was a small child. Beck is an artist-in-residence at the Gettysburg National Military Park. He joins Katy Giebenhain for a conversation about “stone soldiers” and his current time on Gettysburg’s battlefield.

Social-justice poet Xochitl-Julisa Bermejo is the first “Poets in the Park” artist-in-residence at the Gettysburg National Military Park. She stopped by the Gettysburg campus of United Lutheran Seminary for a conversation about her evolving collection, her experience as a desert aid worker on the U.S.-Mexico border, hobo markings, Tarot card prompts and more.

Texas-based graphic designer Cesar Rivera joins Katy Giebenhain from Seminary Ridge Review for a conversation about the Pickett’s Charge flag capture of Corporal Joseph De Castro, artifact books, working as much color theory as possible into classes and ways in which all designers are educators. Rivera was an artist-in-residence at the Gettysburg National Military Park.

Photographer Bill Bretzger talks about his projected portraits, great Civil War photographers, what a spotlight can do for the mood of a landscape and how he’s mixing film and digital work during his time as an artist-in-residence on the Gettysburg National Military Park.

Dr. Jill Titus, Associate Director, Civil War Institute at Gettysburg College and the author of Brown’s Battleground suggests that we often misunderstand historical monuments, thinking they are “history” when they are really interpretations of history. As such, they become opportunities for conversation, study, communication and reflection. When deciding the fate of such monuments, context is critical. The New Orleans monument was clearly offensive, but many others should be retained as markers of our self-understanding as Americans.

The producers would like to note that this episode was recorded on July 7^th 2017, a month before the tragic events in Charlottesville, Virginia surrounding the Robert E. Lee statue and related protests and counter protests. 

United Lutheran Seminary expresses deepest sympathy for the those killed and injured in Charlottesville.  Please take a moment to read the written response to the events in Charlottesville. 

We also encourage our listeners to revisit the episode titled “Not waiting for the Hero” to hear an example of a unique form of non-violent counter protest that was carried out 10 years ago under similar circumstances.