Chip Beck is not only a veteran and an artist, he is also a combat artist with global experience who has rendered these experiences first-hand. His academic training is in political science, but he has been capturing what he sees on paper and other surfaces since he was a small child. Beck is an artist-in-residence at the Gettysburg National Military Park. He joins Katy Giebenhain for a conversation about “stone soldiers” and his current time on Gettysburg’s battlefield.
Texas-based graphic designer Cesar Rivera joins Katy Giebenhain from Seminary Ridge Review for a conversation about the Pickett’s Charge flag capture of Corporal Joseph De Castro, artifact books, working as much color theory as possible into classes and ways in which all designers are educators. Rivera was an artist-in-residence at the Gettysburg National Military Park.
Dr. Jill Titus, Associate Director, Civil War Institute at Gettysburg College and the author of Brown’s Battleground suggests that we often misunderstand historical monuments, thinking they are “history” when they are really interpretations of history. As such, they become opportunities for conversation, study, communication and reflection. When deciding the fate of such monuments, context is critical. The New Orleans monument was clearly offensive, but many others should be retained as markers of our self-understanding as Americans.
The producers would like to note that this episode was recorded on July 7th 2017, a month before the tragic events in Charlottesville, Virginia surrounding the Robert E. Lee statue and related protests and counter protests.
United Lutheran Seminary expresses deepest sympathy for the those killed and injured in Charlottesville. Please take a moment to read the written response to the events in Charlottesville.
We also encourage our listeners to revisit the episode titled “Not waiting for the Hero” to hear an example of a unique form of non-violent counter protest that was carried out 10 years ago under similar circumstances.
Nick Collier, the current Gettysburg National Military Park Artist-in-Residence, speaks with Katy Giebenhain about sculpture, a contemporary twist on an Afghan Box Camera and what it is like to be a veteran spending a month on the iconic Battlefield outside of tourist season.
“They won the battle, but lost the war” summarizes Mr. Hutchinson’s approach to the Battle of the Little Big Horn and the route of Custer’s troops. The U.S. persisted in a relentless military campaign to drive the natives into reservations under their control, while the remnant under Sitting Bull found that the Canadian “Mounties” who were both policemen and magistrates stressed cooperation, provided they observe Canadian law.
A singer-songwriter from Ohio and a photographer-videographer from Alaska come to Gettysburg via Seattle. Michela Miller-Ferree and George Ferree, the latest artists-in-residence at the Gettysburg National Military Park, have covered lots of territory. They bring a shared sense of adventure and respect for Gettysburg’s history to their month-long residency. They stopped by the Seminary campus for a conversation with Katy Giebenhain from Seminary Ridge Review. Hear Michela perform in a fireside concert at the Visitor Center Saturday, December 10, 2016 at 1:00pm in the Refreshment Saloon. The event is free and open to the public.
Photographer Robert Beech discusses the process, challengesand rewards of wet plate photography. During his tenure as Artist in Residence at the Gettysburg NationalMilitary Park, Robert recreated some of the most famous photographs of thebattle using the same technology used by the photographers of the time.
Read Robert Beech's Blog
Think you know everything there is to know about the founding of this country? Think again! This year, to celebrate July 4th, listen to this fascinating conversation with Gettysburg College history professor Tim Shannon as he talks about the role of Native Americans during the Revolutionary War, and their varied relationships with the British, the French and the Colonists. Don’t miss the discussion of Jefferson and his views of Native Americans.
Sculptor Marlene Alt and Katy Giebenhain from Seminary Ridge Review talk about Alt’s sited sculpture outside the National Park Service Museum and Visitor Center in Gettysburg. “Traces: A Gathering Up” features wax imprints of horse hooves. How do we pay tribute? What is the difference between land and home? How can we imagine the scope of the Battle of Gettysburg? Aside from human casualties there were over 1,000 horses and mules killed here. Alt describes her installation project and her approach to other historical themes in her artwork. She is the May-June 2016 Artist-in-Residence at the Gettysburg National Military Park.