Photographer Bill Bretzger talks about his projected portraits, great Civil War photographers, what a spotlight can do for the mood of a landscape and how he’s mixing film and digital work during his time as an artist-in-residence on the Gettysburg National Military Park.
Dr. Jill Titus, Associate Director, Civil War Institute at Gettysburg College and the author of Brown’s Battleground suggests that we often misunderstand historical monuments, thinking they are “history” when they are really interpretations of history. As such, they become opportunities for conversation, study, communication and reflection. When deciding the fate of such monuments, context is critical. The New Orleans monument was clearly offensive, but many others should be retained as markers of our self-understanding as Americans.
The producers would like to note that this episode was recorded on July 7th 2017, a month before the tragic events in Charlottesville, Virginia surrounding the Robert E. Lee statue and related protests and counter protests.
United Lutheran Seminary expresses deepest sympathy for the those killed and injured in Charlottesville. Please take a moment to read the written response to the events in Charlottesville.
We also encourage our listeners to revisit the episode titled “Not waiting for the Hero” to hear an example of a unique form of non-violent counter protest that was carried out 10 years ago under similar circumstances.
Gettysburg National Military Park Artist-in-Residence Brian Emery joins Katy Giebenhain from Seminary Ridge Review in a conversation about his “experimental documentary” adventures on and around the Gettysburg National Military Park. The FIT photography professor shares from his experiences as an introvert in public spaces capturing voices (including the voices of birds) images and stories from past and current history.
Artist Brandi Martin Yu and Katy Giebenhain get ‘metacognitive’ in their conversation on installation art, language, research, Walt Whitman and the special opportunity to be one of the artists-in-residence at the Gettysburg National Military Park.
Lathan Marstellar, the Artist in Residence and the Gettysburg National Military Park, talks about the worlds of virtual and augmented reality and his work creating a virtualized experience around President Lincoln’s Gettysburg Address. Lathan will be presenting his work March 11th, 2017 from 10am-1pm at the GNMP Visitors Center.
Artists Chantelle Dinkel and Tanya Ortega talk with Katy Giebenhain from Seminary Ridge Review about the expanding role of arts in the national parks, current projects, and the Gettysburg residency experience. Dinkel is a Swiss-Canadian representational painter trained in Italy at The Florence Academy of Art. Ortega is a photographer and sculptor with a background in forestry, geology and environmental sciences. She is the Founder of the National Parks Arts Foundation.
Nick Collier, the current Gettysburg National Military Park Artist-in-Residence, speaks with Katy Giebenhain about sculpture, a contemporary twist on an Afghan Box Camera and what it is like to be a veteran spending a month on the iconic Battlefield outside of tourist season.
A singer-songwriter from Ohio and a photographer-videographer from Alaska come to Gettysburg via Seattle. Michela Miller-Ferree and George Ferree, the latest artists-in-residence at the Gettysburg National Military Park, have covered lots of territory. They bring a shared sense of adventure and respect for Gettysburg’s history to their month-long residency. They stopped by the Seminary campus for a conversation with Katy Giebenhain from Seminary Ridge Review. Hear Michela perform in a fireside concert at the Visitor Center Saturday, December 10, 2016 at 1:00pm in the Refreshment Saloon. The event is free and open to the public.
Ed W. Clark, Superintendent, Gettysburg National Military Park and Eisenhower National Historic Site talks with Dr. Christianson about the business of running a national park. As the National Park Service celebrates its centenary with the theme “Find Your Park” to encourage us to visit these treasurers of our heritage whether near or far, it prepares to face new challenges. They include maintaining the Gettysburg Battlefield’s 1863 appearance, a maintenance backlog, new land acquisitions, and raising questions of interpretation beyond the battle itself, such as slavery the impact on civilians.